HxdB — ECHO010 EP Released / Featured on Beatport!

edub010_cover

That’s right, fresh release from myself on the incred­i­ble Echodub Col­lec­tive, that has been fea­tured on Beatport’s Dub­step por­tal! I feel very hon­ored to have been selected as a num­ber of other superb releases have also dropped this week.

Check out the tunes here…

Cop the release @ BEATPORT & JUNO & DIGITAL TUNES

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Did you get a mix CD in Nelson?

You sure nuff did! So I bet you’re won­der­ing what the track­list­ing is now, aren’t you?

Every­one else is going to have to wait until I even­tu­ally post the mix offi­cially. :)

special-blend

HxdB — Spe­cial Win­ter Blend”

Alien Pimp — Office to Sun­shine HxdB RMX: DubKraft
El-B — Son De Cali: Soul Motive 004
Was­cal — Know U: Dub
LIDBO, Hakan feat 2KHz — XX XY (Zed Bias dub): We are Wood 005
HxdB — Crooked Smile: Echodub 010
Sully — Jack­mans Rec: Frisjo Beats 005
Taal Mala — Re-entry: Dub
SHORTSTUFF — A Rustling: Ramp 023
HxdB — Imme­di­ate Media: Dub
HxdB — Jack Swung VIP: Beta­morph
The Wid­dler — I Don’t Need You: Dub­step Records 004
May­hem — Paci­fica: Shad­owlaw Record­ings
Rob Sparx vs John Maveric — Wind­screen Sniper: Z-Audio 016
Inner Party Sys­tem — Last Night In Brook­lyn (NumbeNin6 Remix): Dub
Digisonic — Anes­thetic: Dub
Danc­ing In The Dark (OlliE! & Bare Noize VIP): Free Dub
FACE A FACEGALASH (EBOLA REMIX): Lo Dubs 012
Was­cal — Part Time Rude­boy: Beta­morph
Rob Sparx — Arcade: Migra­tion 004
Mycho Pan Cocoa — West Coast Nitrous Cir­cus (Zeno Remix): Mal­La­bel Music 005
Misk — Cherry Blos­som Omega: Dub
Autopi­lot — Once More (echodub edit): Echodub LP 002
Sclist — Mir­rored: Dub

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Autopilot — She Says REMIXES *FREE EP*

shesays
Hello lovlies! Some excit­ing news and some free music for you to help offi­cially launch the site.
I’ve recently remixed an incred­i­ble tune by Autopi­lot, called “She Says” which was really a ton of fun. Well unbe­knownst to me, it was actu­ally for a com­pi­la­tion, of which the best remixes were released on, which is now avail­able for FREE! It fea­tures remixes from myself, vishnu, FBOM, Clue­less, rdubz, Roke & Uncle Smut­fist. The tunes on this are AMAZING, seri­ously, every sin­gle ver­sion is a show-stopper. Cop this now, cop it hard and bump it loud!
You can pre­view my ver­sion here:


Here is the dubstepforum.com thread.

Down­load and pre­view the EP here.
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DJ Cure & Hexadecibel featured in Discorder Magazine

cure-n-hxdb

It was our great plea­sure to have been cho­sen to rep­re­sent Van­cou­ver and the music that we so love for this arti­cle printed in Dis­corder Mag. Big up Dashiell for pulling it all together!

Orig­i­nal link to the arti­cle: http://discorder.ca/discorder-magazine/index.php/2009/10/31/cure-and-hexadecibel/#more-1095

Arti­cle text:

Cure & Hexadecibel

Big Bass Booming

By Dashiell Brasen

Cure & Hexa­deci­bel — Art by Aisha Davidson

Local res­i­dents DJ Cure and Hexa­deci­bel are help­ing take Cana­dian bass music to new heights. Together the two DJs have served up hys­te­ria induc­ing dub tracks for the last year at Goldie’s Lounge, turn­ing the base­ment of a Pen­der pizza joint into one of Vancouver’s (lit­er­ally) hottest night spots.

Cure and Hexa­deci­bel are not alone in pop­u­lar­iz­ing the dub­step move­ment. With dub­step artists like Rusko remix­ing Katy Perry and Kanye West on big time indie elec­tron­ica imprint Mad Decent and Chase & Sta­tus lend­ing their “East­ern Jam” out to Snoop Dogg for “Snoop Dogg Mil­lion­aire” (which was copro­duced by R&B and hip-hop main­stays Kurupt, Murs and John Leg­end, and fea­tures Slum­dog Mil­lion­aire star Tanvi Shah), yesterday’s under­ground sub­gen­res are cross­ing over into the main stream.

I like to try and cre­ate music that can be felt, whether some­one is on the dance floor or lis­ten­ing in head­phones. I like to fuse tra­di­tional musi­cal ele­ments and instru­ments with futur­is­tic sounds and palettes. I want to keep the lis­tener inter­ested. For this rea­son, I often try new tech­niques on dif­fer­ent projects, just to keep things dif­fer­ent,” he said, explain­ing his own style.

When I DJ out, I go hard or go home. I like to play big tunes with lots of energy. I tend to touch down on all ends of the spec­trum on my radio show on SUB FM. I’ll play any­thing from bangers to deep, techno influ­enced [music], to hip-hop-fused weird­ness,” said Cure. Mir­ror­ing Cure’s exper­i­men­tal ear, his label Aufect’s releases are dark, techy, glitchy and unafraid of the 4/4. [ed. Iron­i­cally in dub­step the 4/4 time sig­na­ture is con­sid­ered experimental.]

While Aufect Record­ings (www.aufect.com, www.myspace.com/aufectdigital) is show­cas­ing the best the Cana­dian beat scene has to offer, Hexadecibel’s sets for Rob Booth’s Elec­tronic Explo­rations pod­cast has attracted unprece­dented atten­tion for Cana­dian dub­step. Hexa­deci­bel first recorded a col­lab­o­ra­tive set with Vancouver’s most promi­nent bass crew, Lighta Sound. Booth then selected him to mix one of his own. Both sets have been down­loaded over 10,000 times.

This pod­cast was very sig­nif­i­cant to me,” said Hexa­deci­bel. “It gave me the oppor­tu­nity to show­case some of my newest songs, demon­strate my mix­ing skills, and, most impor­tantly, pro­mote my cur­rent and future releases … [EDIT FOR POSTERITY] Once my release [Prism EP] on Mind­set hits shelves, the snow­ball really gets rolling, as I have four more vinyl releases lined up over the next 12 months.” Prism is avail­able on web­sites like Boomkat, Juno, Chem­i­cal and Redeye.

Back at home, ener­gized by bass music’s con­stantly merg­ing and shift­ing array of new styles, Cure envi­sions his label “mutat­ing into an out of con­trol beast,” hous­ing a “sub-sub-genre not even invented yet.” With Aufect’s dig­i­tal releases reach­ing the top 10 on elec­tronic music web­site Juno’s online music down­loads, it’s a good indi­ca­tor that Cure’s muta­tions will be heard soon enough.

Cure owes Aufect’s early suc­cess to know­ing some tal­ented pro­duc­ers. DZ, who was fea­tured in ATM Magazine’s “Lead­ers of the Nu Skool” arti­cle, and Loetech, of Bom­ba­man and XI, put their faith in him and helped him get Aufect started. “Now I run the label myself … My girl does all the account­ing and paper work, and my boy Nick Laz­er­face is A&R and is rep­ping as a DJ in Mon­treal,” Cure said.

Cure brought his girl­friend from Ontario in 2007 with the express inten­tion of start­ing a dub­step label in Van­cou­ver. He describes the crowds here as “real music lovers,” who “just go off!” He feels the city can stake a claim as “one of the top three cities rep­re­sent­ing dub­step in North Amer­ica, maybe even num­ber one.”

Hexa­deci­bel agreed, “People’s accep­tance of the sound in gen­eral, and will­ing­ness to hear new music, [makes Vancouver’s dub­step scene unique and spe­cial] … The ‘heads’ in this city are well versed in elec­tronic music … the local pro­duc­ers, DJs, pro­mot­ers, etc. It seems like a very fer­tile place for cre­ative peo­ple, and what’s bet­ter is that almost every­body involved in the scene here is coop­er­a­tive and helpful.”

I think dub­step is show­ing signs of going main­stream,” Cure added. “[But] I’ve never been hap­pier with bass music as a whole.”

Hexa­deci­bel fol­lowed up, say­ing: “It’s an excit­ing time right now, with bass music reach­ing around the globe and more and more tal­ented peo­ple join­ing the ranks daily. I am truly amazed, lit­er­ally every sin­gle day, with the level of cre­ativ­ity and tal­ent I see from younger and younger pro­duc­ers, not to men­tion the old hats who have been at it in the music biz for years who are again hit­ting their stride with a renewed inter­est in music. I think dub­step is a con­duit, a place where peo­ple from so many other dis­ci­plines are com­ing and bring­ing their expe­ri­ence to cre­ate some­thing totally new and fresh.”

In the same vein, Hexa­deci­bel has helped to revive the audi­ence dri­ven label Press­ing Issues, to keep things dif­fer­ent. Hexa­deci­bel is one of the label’s com­mit­tee heads, who are respon­si­ble for whit­tling down demos pre­sented by their online com­mu­nity and pre­sent­ing them to be voted on for poten­tial press­ing and releas­ing. The label has suc­cess­fully released two 12-inch vinyls which are dis­trib­uted by ST Hold­ings UK and is get­ting a third install­ment going.

We will be cre­at­ing an active poll for dub­step fans to vote on in mid-November, and the vinyl will likely hit shops in late Decem­ber or early in the new year,” Hexa­deci­bel added. “We’ve pre-signed our A-side for the album, [XI’s ‘Grav­ity’]. ‘Tis a big tune.”

In the mean­time, if you want to catch Cure, he’ll be at Goldie’s on Nov. 6.

Goldie’s Fri­days will be no longer be a crunked-out-thrust-womp-raver-bass party spot. Not to worry, though, the night will still be there. Just chilled out though with more of a house and two-step vibe,” he said. On Nov. 13 he’s open­ing up for the Dub Police label owner, Caspa. He’ll play Nov. 20 at the Suave Assas­sins One Year anniver­sary party, and on Nov. 27 at a venue that has yet to be announced, so keep your eyes peeled and ear to the ground. He also has a new res­i­dency, Whatever’s Dope Wednes­day, every Wednes­day in the back­room at Shine, hosted by Emo­tionz. Check out his radio show every Thurs­day 6 to 8 p.m. on SUB FM.

Hexa­deci­bel reg­u­larly releases tracks on his web­site at http://soundcloud.com/hexadecibel.

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From my heart to yours…

heart

It is my wish, that this hum­ble place of mine on the web, will bring me even closer to all of you and hope­fully give you a glimpse of the real me. For bet­ter or worse.

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HXDB.ORG launched!

keep your eyes peeled

keep your eyes peeled


This is the new online home and con­duit for all things hexa­deci­bel! I’ll be rolling more con­tent out as the site comes along, approach­ing the offi­cial launch, soon! Watch for some free­bies, and lots of fresh goodies…

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